Cimarronin: The Complete Graphic Novel

In seventeenth century Philippines, a disgraced samurai named Kitazume is on the brink of slicing his own stomach open in a hara-kiri ritual. His longtime Spanish priest friend Luis convinces him to stay alive long enough to journey to Mexico with him alongside a Chinese princess named Irgen. The three of them are now embroiled in a plot to prevent Spain and China from obtaining silver and slaves in Mexico knowing how much power it would give the corrupt nations. This struggle for supremacy in the new world will be covered in blood, shattered bones, and battlefields full of dead bodies. Kitazume wouldn’t have it any other way if it means he’ll find redemption for his past sins.The first thing I enjoyed about this graphic novel was the action-packed violence that carried the story from page to page. The techniques the warriors used were reminiscent of something from a Bruce Lee or Jackie Chan movie. In other words, the attacks were fast-paced and technical as opposed to a wild, drunken brawl. The blood splatters and shattered bones were the end result of this delicious violence; R-rated brutality at its finest. Come to think of it, there’s another movie reference I’d like to make when describing the martial arts violence in this book: Kill Bill. If Quentin Tarantino wrote historical fiction graphic novels, he would have had Cimarronin in mind. Action genre lovers will get a huge kick out of reading this book, no pun intended. After all, it’s only entertaining when it happens to samurais and conquistadors, not the reader.Speaking of violence, it’s also satisfying to see African ex-slaves get revenge on their Spanish conquerors. The way slavery is depicted in this graphic novel is how it should be depicted in all platforms: brutal and heartbreaking. They were branded with hot irons, dumped in the ocean during transit, and treated like disposable trash by their white masters. The slaves have waited years to strike back against their masters. When the violence finally takes place, a gigantic wave of relief will wash over the reader and payback will taste like sweet strawberries dipped in gooey cream. There actually are instances in history of slaves attacking their masters as a means of escape. Knowing this is one of them (even though it’s fiction) will put a sick smile on the reader’s face.Enough about the violence; let’s talk about history. This is after all historical fiction. The countries of the new world all have a past that should be acknowledged and atoned for when discussing them in high school history classes. These new world conquests wouldn’t be possible without committing genocide on the indigenous people and rebuilding the infrastructure with kidnapped slaves. Some people such as me have no problem acknowledging how shameful of a history we have. Others seem to be proud of it to the point where even today they deny the existence of racism in the modern era. For those on the latter side of the spectrum, I have one question for you. How do you expect to change the world into a better place when you keep repeating history’s ugliest features? Cimarronin isn’t just an action-packed fun-filled rollercoaster ride. It’s a look into the darkest parts of our past for those who probably need their eyelids braced open like Alex from “A Clockwork Orange”.Cimarronin is a quick and short read that packs a lot of action, drama, and history into that tiny space. A reader could probably blow through this thing in less than twenty-four hours. Is it over too soon? Maybe. Should there be other add-ons to this book? Absolutely. But for now, enjoy the ride while you can. Rollercoasters don’t last forever, you know. A passing grade goes to this deliciously violent and historically poignant piece of graphic fiction.

Very interesting take on the diversity brought to the Americas by Spain. Well drawn and written, I haven't researched the veracity of the book, but it is definitely fun to read.

As a lover of Stephenson's and Mann's books, I was hoping that I'd love this. The art is beautiful especially in the first half where clearly more time and attention was spent on it. The still pictures at the end and on the cover are remarkable and worth staring at.Overall the book was a disappointment for me because there wasn't enough "idea porn" (Stephenson's phrase) to keep my interest. There were lots of wordless panels of one person hitting another person and they might be historically and culturally accurate but they didn't interest me. I want a strong plotline and some interesting ideas, not just a bunch of characters you wouldn't have expected in the Americas 400 years ago. That is a great starting point but it just didn't go anywhere.

I was really looking forward to reading this. But I just couldn't appreciate the art and the story wasn't compelling or interesting.

The plot is complex and well-thought-out. The graphics (especially in the first half) are awesome. And the encounters between swordsmen (and a swordswoman!) of the East and West are intense and true to each discipline portrayed. The suspenseful story will keep the reader turning the pages, while the intricately detailed artwork will stop him in his tracks. A great piece of work!