🥁 Pocket-sized beats, stadium-sized vibes.
The Teenage Engineering PO-12 Rhythm Pocket Operator is a compact, battery-powered drum machine featuring 16 synthesized drum sounds and 16 onboard effects. It offers a 16-step sequencer with pattern chaining and real-time effect control, plus jam-sync capabilities for seamless integration with other devices. Crafted from basswood with a built-in speaker and foldable stand, it’s designed for portable, professional-grade beat making.
Body material | Wood |
Included components | Integrierter faltbarer Support und integrierter Knowles-Lautsprecher |
Finish type | Lackiert |
Manufacturer | Teenage Engineering |
UPC | 714573520413 142200968572 |
Global Trade Identification Number | 07350073030538 |
Product Dimensions | 17.78 x 8.89 x 0.51 cm; 50 g |
Batteries | 2 AAA batteries required. |
Item model number | TE010AS012 |
Connector | Auxiliary |
Material Type | Bass Wood |
Number of Keyboard Keys | 23 |
Country Produced In | china |
Speaker Count | 1 |
Size | PO-12 |
Colour Screen | No |
Item Weight | 50 g |
G**O
Very very very fun
I have quite a few drum machines from a maschine plus, novation circuit, kolg volva beats and the pocket operator so I I have a pretty good idea about where this fits into the mix.It's way more powerful than it looks. It's really possible to do some quite complex things on this with only the few settings that you have. For example, yes it's a 16 step sequencer so it's quantized but if you way to have something non quantized you could shift where you trim the same at for example to get it to a microstep.The storage space on it is a bit limiting so it makes you really conserve the space you have. Longer samples for example may be hard to work with. There is a way to back it up to a sound file if you want to though which is nice to have.Recording in it is very easy. The build in mic is ok but record from line in for much better results.The battery life is great so expect a few weeks of continuous use out if 2 battering.The only negative thing I have to say is that the dials are really terrible. It makes it so hard to trim a clip for donfine adjustments. Some people have soldered different ones on that are better quality but I've bit tried it.Get the outrageously expensive case to go with it since it will save your fingers if you use it a lot.Sound quality is good but don't expect high end audio. I've found that if you get a good recording of a sample on it the quality is quite good but this just lends it's self to the type of music it can create.For comparison you can do more on this than a Kirk volca beats and it fits in your pocket. It's actually really good for just jamming and playing live
R**N
So Awesome!
I found out about the Pocket Operators a couple of months ago and have since become a huge fan of these amazing instruments. They're fun, but serious enough to be used live and in the studio and not as flimsy as you'd think. The variations of sounds you can get from each of the 15 bass sounds (And 1 micro drum kit) is huge by combining the A and B parameter controls with the 16 play styles (How the note is played) and 16 effects. (Sounds 12 - 15 seem like they should come from a much larger, expensive device!)A seemingly major down point is that they're chromatically locked to C major, so if you want any sharps/flats you need to use the semi-tone bend effect on fx number 15. I thought this was going to be a problem, but I haven't had any issues with it at all, in fact, it enables me to think up more creative basslines. Another thing to point out is that I thought my device was broken straight out of the box as it would not turn on when the batteries were inserted. However, I discovered on a forum that by bending the battery connection points in a little, the problem was solved. I don't think I'll bother getting a case as it looks cool and is pretty sturdy - as long as you don't sling it loose into a bag or leave it lying around on the floor somewhere...Recording lines live can be a little tricky, but once you'e used to it, building up and chaining pattern sequences is quite intuitive and powerful, especially when synced to other Pocket Operators and similar devices. A lot of people have described these as 'Toys', which is a slightly misleading thing if you haven't 'Played' with them; it's small and fun, but so is a Harmonica or a Ukulele, and this can do SO much more.Oh... and there's a little dude running around on the screen while you play things that goes back to bed to sleep when playing is done!
M**N
PO-20 Arcade: Most fun I have had with electronic music in ages
This review is about the PO-20 Arcade.They may look a bit odd and minimalist, but they sound incredible and provide a lot of fun for the creatively minded. If you are a beginner to electronic music, the PO may somewhat puzzle you, but in the hands of someone with even a little bit of experience, these provide hours of fun and even some serious musical capability.The PO-20 totally takes me back to my youth when I used to own an Atari. The rich 8-bit quality of the square wave arps superbly re-create the atmosphere of that era, but with a modern twist. The chord sequencing is inspired. Very clever indeed, hats of to Jesper Kouthoofd and his team for producing something remarkable. I love the way the chord sequence changes the arps and baseline, even without turning up the drone. The side chain compression simulation on the drone sound is a very cool sounding modern twist.I am also astounded by the very expansive sequencing capability. You can store 16 x 16 step sequences and link them into a chain of up to 128 patterns, that is whopping 2048 steps! The chord sequence of up to 128 "bars" (from a choice of 16 cleverly chosen chords) is independent from this so the options are virtually limitless. Each sound has two parameters that can be sequenced too.I love the fact that I can sync my PO to my Korg Volcas and other synths. Very easy to set up, plug in and select SY2, that's all there is to it!The only bit of criticism I have is about the packaging. I get that this is all part of the overall minimalist design of the product, but does not protect it enough when sent. Especially the knobs are vulnerable as they stick out of the packaging. My first one arrived with one of the knobs smashed in. This is partly because Amazon did not properly packaged it (just stuffed it into an envelope, which got crushed between heavier boxes). The replacement came in the same rubbish packaging, but all works fine. I disagree that the unit is vulnerable to damage. Of course there are always those that treat their kit like Casey Neistat, but then of course nothing is safe from damage.Highly recommended, seriously thinking which one I want next!
W**L
Fun thing to play with
Not a bad toy, needs a fair bit of practice to make a decent little tune
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