In Search of Lost Time: Proust 6-pack (Modern Library Classics) Paperback – June 3, 2003

Three days ago I finished reading Proust's In Search of Lost Time. Today I will begin my second reading. That's the best recommendation I can give. In a lifetime of reading I have never read a book twice in a row outside of an academic requirement. This rereading is not motivated by a sense of "that was good, hit restart and do it again." There is a "secret" in Proust's book that, when revealed, invites rereading. Its not a secret, I just don't want to try to explain here when it is in the books I reference below. According to one source I read, it is not uncommon for those who finish Proust's book to want to immediately reread.This review is about how I completed my first reading, not a summary of the book. More than most books, first time readers of In Search of Lost Time need a plan to have a reasonable prospect for success. In this review I will share the questions I asked and decisions I made. The fact that I finished the book should indicate the decisions I made were right for me and my circumstance. I hope what I write will allow others to weigh my decisions and apply them to their own circumstance.In order to judge how your circumstances differ from mine, a bit about mine. I'm in my early sixties and retired. I was able to plan on an hour of quiet time per day for Proust. I'm a lifelong reader with wide-ranging tastes. I tried reading In Search of Lost Time several times and never got past page 50. But Proust's book remained on my Bucket Reading list. I read on my iPad using the Kindle App. I listened to the Audiobook and read simultaneously. My first reading took five months reading one hour a day on most days.First decision, what is the book about and does it interest me? There is a lot of well intentioned but misguided and potentially misleading info about Proust's book. Seek opinions from whomever you like. But I also strongly recommend seeking professional advice. I have two books to recommend. Not to buy and read entirely (at least not yet), but to read the introduction. If you have an e-reader, download these free samples and read them. These books are Proust's Way: A Field Guide to In Search of Lost Time by Roger Shattuck and Marcel Proust's Search for Lost Time: A Reader's Guide to The Remembrance of Things Past by Patrick Alexander. These books address such questions as Proust's style and the length of the book.Next decision, which translation should I read? None ideally. Read it in French. That wasn't an option for me. In my opinion the translation question is way over emphasized. This isn't Homer, Virgil, Dante etc. Proust's book was written One Hundred years ago. All modern English translations are suitable for first time readers. I used the Public Domain C.K.Scott Montcrieff translation for all but the last volume (which Moncrieff left unfinished at his death). I chose Moncrieff's translation because it was what the Audiobook used. I was well satisfied. I have purchased the Modern Library version where I will post this review, but my second reading will also use Montcrieff's translation. In comparing Modern Library's (MKE) translation to Montcrieff the first sentence of the second paragraph starts: "I would ask myself what O'Clock it could be;" (Moncrieff) vs "I would ask myself what time it could be;" (MKE). If that kind of difference makes a difference to you, buy one of the expensive copyrighted translations.Next decision, what edition should I use? One with the fewest footnotes, endnotes, summaries, appendices etc. Proust wrote In Search of Lost Time to be a self-contained story. There are hundred's of character's (but less than 20 main characters) lots of references to paintings, music, plays, and books. Character's names and titles (for the aristocracy) are mind-boggling. Proust understand's your concern and accommodates his readers. Names, places artwork etc that are important to the story are repeated over and over. Historical events are discussed by characters to understand what you need to know for the story. When such things are in past volumes, the circumstance of their location in the story are recalled to refresh the reader's memory. Stopping to look up such things in appendices or footnotes interrupts the narrative flow. Narrative flow is important and one of the aesthetically pleasing aspects of the book. If you really want to know about a referenced art-work or historical event, make a note and look it up on Wikipedia after the day's reading.Next decision, what supplementary materials should I read to prepare for reading Proust? None. Oh, I did read Alain de Botton's How Proust Can Change Your Life, great book, but not a deciding factor to read Proust for me. Summaries are counterproductive. Proust generates and maintains suspense by deliberately pacing disclosure of even minor details. Again citing Shattuck: "One must read Proust as carefully as a detective story in which any detail may become a clue to everything else." In Search of Lost Time is enjoyed best one page at a time without any knowledge of what the next page will bring. Guides and notes I addressed above. Biographies of Proust are particularly counterproductive. Despite everything you read to the contrary, In Search of Lost Time is not Proust's Autobiography. The more you focus on Proust, the harder it will be to understand the "big picture" of Proust's book. AFTER completing In Search of Lost Time is the time to review reference books. I read the Shattuck book referenced above and Howard Moss' The Magic Lantern of Marcel Proust after completing the book.Next decision, listen to the Audiobook while reading? I learned some time ago that listening while reading gave me a tremendous advantage in accessing challenging literature. But Roger Shattuck puts the case best for listening to Proust, "The best way to discover and respond to Proust's expressive voice, as well as the deliberate pacing of his narrative, is to hear the prose, to read it out loud." Correct pronunciation of names, titles, places, ect. is important to me for comprehension. So I let the Audio Narrator do that for me (Naxos Production with Neville Jason narrating). Shattuck also states: "Without an auditory sense of the text, even in its most reflective and interior passages, the visual field of unrelieved print tends to become oppressive. Translations cannot convey the original texture, yet on this score the available versions perform remarkably well. They all bear reading aloud." The Audio made the notoriously long sentences seem completely natural to me. There are several Audio versions of at least the first volume (Swann's Way). The only Complete Unabridged AudioBook of In Search of Lost Time in English as of the date of this review is Naxos Production, Neville Jason narrator. The text narrated is the Moncrieff translation for the first six volumes and Jason and another gentleman collaborated on a translation for the seventh volume (which I didn't use because there was no published text. I made do with reading the last volume and was fine with it because I knew how to read the text and pronounce names by then.- Next decision, just listen to the Audiobook or an Abridged version? Having listened and read, I can't imagine listening to this book without reading. It just does not seem well-suited to casual listening, at least to me. At 153 hours, Naxos claims their Audiobook of Proust's book is the longest recorded to date. That's lots of time to listen to other books. As for abridged versions, As a matter of preference I don't read them. Your milage may vary.Next decision, other techniques? I don't normally highlight novels, but I highlighted a lot in Proust's book. Electronic highlighting. This was a learned process as I went along. First I highlighted shifts in time and place (which are easy to loose track of). The narrator may be standing on a platform waiting to board a train, something makes him start thinking and we are off on a 20 page digression, its good to be able to flip back and see that we are still standing on the train platform. In a different color I highlighted names and titles of new characters and place names. I highlighted interesting or funny passages in a third color and seemingly important passages in a fourth color. Was it distracting? No, it became second nature.A few closing thoughts on my first reading. For three and a quarter volumes I soldiered on. It was beautifully written and often very funny but I didn't have the "fire in my belly." Shattuck and others note that many give up after a few pages, or one to two volumes. You can't even begin to understand the plot after the first two volumes (at least unaided as I recommend). Then the book "clicked" for me. It requires persistence. I'm really glad I stuck with it.

This is a review by an amateur reader for amateur literati. I'm 71. I am not taking a college literature class (although I am college educated and have an M. D. degree, if that means anything); I'm not a professor, and I don't hang out in book clubs. Lately, after years of laziness and negligence, I've at last read about 50 "important" books to catch up on what I have missed, and, notably for me, at last, after fear of commitment, have recently finished Proust's magnum opus to see what the fuss was all about. I read it straight through over a 9 month period, in parcels of minutes to hours, usually in the quiet time before retiring. In an effort to give my straight unbiased comments I have not read any the reviews here.The Modern Library 6 book cased edition by translators Moncrieff, Kilmartin, and Enright, turned out to be more than good; it was a delightful, easy style, not obscure or convoluted; you readily could appreciate Proust's incredibly detailed yet smooth, almost poetic style, with his superb attention to psychological detail in how one thinks, feels and reacts to events and memory. I will not go much into the plot or the literary stature of the book as I am sure it has all been covered elsewhere quite capably. I will say the main theme is the close critical observation of the social life of the era, the pretensions of the very rich and the competing social climbers, and more significantly, the conveying of one's life to such an extent that it almost takes over your own; you may well be lured into taking one reality for the other.Did I get everything out of the book I could have? No. Why? Well, when you start, you don't know what is significant, which characters are going to be important later on, what is the importance of a certain view, a particular impression, a flower, a scene, a smell, a remembrance which will later be elaborated on by another remembrance. There are supposedly about 2000 characters, and the 3500 pages, or so. The characters may have strange names or similar names (Villeparisis, Verdurin, Vinteuil); they may change their names (Mme Guermantes aka Oriane then v Princess Guermantes now as taken over by Mme Verdurin). M. Guermantes is Basin. Charlus is Meme, and Palamede. If you have trouble with remembering names this tangled multi-personed story may not be for you.When you get into the later volumes will you remember everything that went on in the earlier volumes? Will you remember all the names? Checking the synopsis and the alphabetical listing of characters and persons and places and themes in the Modern Library indices will help you along; but these sometimes are not too clarifying -- they mostly list the bare events and brief definitions, not analysis in depth.For adjunctive help I suggest two books *about* the book, unless you just want to read it raw --a sensible procedure since, after all, a renowned author should be able to write clearly, better than anyone else. If otherwise, first I recommend a tiny well-illustrated booklet, "Marcel Proust" by Mary Ann Caws, 2005, a short biography with dozens of photos, color illustrations, thumbnails of paintings and a few snippets of music scores; this is a fetching companion which puts a little meat on the bones of the novel. For example, you get to see the famous Vermeer with the "little patch of yellow wall." There are photos of many of the characters in Proust's world: Colette; Sarah Berhardt, Count Robert de Montesquiou-Fezensac (I love that tongue twister. Curious?)The second helper is "Marcel Proust's Search for Lost Time - A Reader's Guide to The Remembrance of Things Past" by Patrick Alexander a 385 paperback that gives an extended summary (beyond what's in the backs of the novel itself) and a guide to the main characters, plus good references and bits about Paris, France and the author's life.Take a deep breath and plunge into it unaided and see how it fits together at the end, when everyone is old and the story gels. If you followed everything, great! If there is a struggle, try the assistants. If you are puzzled, you get to read it again!