🎶 Elevate Your Sound Game with FLAMMAFS02!
The FLAMMAFS02 Reverb Pedal offers a versatile range of 7 reverb effects, complete with 7 storable preset slots for easy access. Designed for high-quality stereo input and output, this pedal is perfect for guitarists of all levels. Note: Requires a 9V DC power supply (not included) for optimal performance.
Product Dimensions | 6.99 x 12.17 x 5.05 cm; 300 g |
Item model number | FS02 |
Colour | FS02 Reverb |
Signal Format | Digital |
Country Produced In | china |
Proficiency Level | All |
Power Source | Corded Electric |
Voltage | 9 Volts |
Item Weight | 300 g |
A**R
No right to sound this good.
(FS02 Reverb) Seriously. This thing has absolutely no right to sound this good and have these features for this money.The shimmer verb is worth the price of admission alone. Stereo In and out, and the algorithms in a stereo setup sound incredible. There honestly isn't a bad sound on this thing. From basic rooms and springs, to like 20sec decays on the shimmer setting, it just all kills. Internal build quality and components are surprisingly good for the price as well.Another plus- My first unit had a noise issue, and with a budget offshore brand on Amazon you might expect that you'd have a whelk's chance in a supernova of getting any kind of support.... But support was a real person, responsive to emails, got me sorted with a replacement unit extremely quickly under warranty and provided a return shipping label. Cannot recommend enough.
C**T
Punches Well Above Its Weight
This is an amazing reverb pedal. If you told me this pedal costs twice what it actually costs, I would believe it. I own a Boss RV-6 and a Chase Bliss Mood, and this pedal holds its own against them. I plugged it in this morning and had originally thought I would spend an hour or two getting to know it and play around with it, but it's already been four hours and I'm still having fun tweaking knobs and being immersed in the sounds coming out of this thing. To make this review short, I've decided to list the things I like the most:1. THE AESTHETICS: I'm really into how this pedal looks. From the flux capacitor-like foot switch to the color to the preset bar, It's sleek and futuristic.2. THE PRESETS: I love that the 7 presets double as savable presets. With my Boss RV-6, if I find a setting I like, I have to snap a picture before I can change anything, and now I just have dozens of photos in my phone that I have to scroll through to find the right one. It's so useful and easy to just save the setting I Like and never have to worry about losing it or messing around with knobs between songs.3. HIGH/LOW CUT FILTER: The high/low cuts are very easy to dial in so that it sounds great with any guitar or pickup configuration. I'm getting into vinyl-sounding lofi neo soul kind of stuff, so it's nice to be able to have the reverb reflect the overall eq of my setup.4. PRESET 7: Preset 7 is really where this pedal shines (or shimmers - see what i did there?). In fact, it could be the whole pedal and I'd still buy it just for that. It's a unique combo of mod/delay/verb that doesn't sound like anything else I have. I also really like the cave setting for slow, expanded ambient drones.5. VERSATILITY: Like most musicians, I play diverse genres, including jazz, blues, ambient, post-rock, and pop. This pedal handles them all super well. I can get a nice slapback for blues, subtle room reverb for jazz, and long, cascading shimmer for ambient.6. STEREO: I play only through an amp sim into my interface, so stereo is a must for my setup. To get such an exceptional use of stereo out of a pedal at this price-point amazes me. My RV-6 ostensibly has stereo, but I've never really noticed it taking advantage of it. This, however, feels like a true stereo pedal.I'm definitely going to add it to my board along with the RV-6 and Mood, as it provides some great features and functionality and really complements them. If you're looking for a reverb pedal that's simple to use but offers a ton of features and creative ways to make your own sound, I highly suggest the Flamma Reverb pedal!
T**M
Geat little Pedal!
Sounds great straight out of the box.Very easy to use & download the manual for the info on it.
ナ**ュ
この値段で申し分ない!
今 私のメインリバーブです♪リバーブは他にもありますが!ボタンひとつでバリエーション違うリバーブを得る所が気に入りました!ステレオ対応なのでアンプ2台で鳴らしてます♪圧倒的な臨場感♪オススメします。
P**Y
Much happier with this than with my HOF2 and Oceans 11. This is the one.
I write this review because I am so pleased. I recommend people put this pedal on the TOP of their list for consideration. I’m blown away. I have the HOF2 and Oceans 11, so those are my points of reference. I am reviewing this pedal without factoring in any forgiveness based on cost. For this review, imagine they all cost the same. Parameter control is far more useful to me on this pedal. With front access to low pass, high pass, and pre-delay control, I can easily create a space that precisely matches my intention. The range of adjustment for each parameter, including decay time, is beautifully calibrated so that dialing in doesn’t require micro turning the knob to find the only good spot. Tweak ability aside, every reverb pedal has a certain character to the reverb algorithms. For example, if you compare “hall” in each pedal, no matter how you adjust the pedal it maintains its own kind of sound. The Ocean’s 11 has a slightly harder sound to reflections than the HOF, which sounds slightly warmer and glossy in a way. The starting point with the Flamma, to my ears, sounds not cold, not warm, but just right. Like the Goldilocks story. Also, when I adjust parameters on the other two I feel like I am adding or subtracting an “effect”. With the Flamma I feel like I am adjusting the space that I am playing in. Which is what reverb should be all about, in my mind. All three are great pedals, but the Flamma does exactly what I have been looking for. In terms of available modes, the 11 gives you the widest range of sound possibilities. In some ways it is a multi-effects pedal, given the adjustable chorus, tremolo, delay, flange, etc.etc. But remember, it is still designed as a reverb pedal, and the secondary effects can never be fully divorced from the reverb. The HOF has toneprint, but who cares? If I can create and save 7 easily accessible sound spaces, and I like every space better than what I am getting on the HOF, what difference does it make? I will miss the delay, tremolo, and chorus on the 11, but for a long time I have wanted those effects on separate pedals anyway, so I can control them more, and divorce them from the reverb if I want. I am really impressed with the fundamental algorithms that were designed for this pedal, the easy access to necessary adjustments, and the ability to create 7 presets. Someone really thought through the design of this pedal, as if they knew exactly what I wanted. Kudos, Flamma people. One thing: I haven’t tried or used this in stereo, so I can not comment on that.
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