In and Out of Vogue Hardcover – August 1, 1995

Didn't want to spend 25.00 on a book so ordered used. Great buy, very good condition. Will buy from this company again

Glad to be able to find this book good interesting read. If you love fashion a great insight into the world of fashion

I enjoyed this book very much. If you love learning about the history of the fashion industry this is for you. I particularly was interested in Grace as she was the editor at Vogue after Diana Vreeland but before Anna Wintour. Mirabella dished out exactly what I was looking for.

I was a little disappointed with this book. I guess I was hoping to read about how Vogue magazine gets put together ...on a more technical level ...than Ms. Mirabella's "wellI did this, and this, and then of course I was responsible for this," but no one appreciated me.Could bejust me. I had just finished a bio on D Vreeland and I was so ready for a book with some meat on it. So, if you want more Me, me, society girls just getting pocket money stories, cocktails in Italy, you will probably enjoy this a lot.

Grace Mirabella not only lets you in on her life and her rise throught the fashion world, but she also takes us you on a wonderful ride and adventure. She truly made VOGUE a wonderful magazine and when she was 'let go' she didn't pout instead she started her own successful magazine, MIRABELLA. Thank you Grace for writing your memoir and sharing your life with us all.

Grace Mirabella é a antecessora de Anna Wintour (e fato importante: sucessora do ícone Diana Vreeland) na Vogue Americana e seu "reinado" durou mais de vinte anos. Biografia interessantíssima em que a autora expõe sua visão da moda americana e faz críticas à indústria e a imprensa. Uma pena o mundo da moda atual praticamente desconhecer Grace Mirabella. Eu devorei o livro e me sinto muito sortuda por ter meu exemplar na estante.

Good condition

I am fascinated by the history of Conde Nast and Grace Mirabella is one of the more elusive figures in the firmament. The book, surprisingly written with the aid of another writer, includes some great insights on Conde dynamics (which I expected). What I had not expected - but found so incredibly enjoyable - was a searing criticism of the 80s and fashions excesses and, ultimately, the age old question: should Vogue be a critic or champion of the fashion industry?