Goldfinger
F**E
Golden Era of Spy Movies
This movie created the biggest impression on me. Remembered, I wanted to watch this movie in 1964 but my mom steered me away from it saying it wasn't that good. Later, I found out she already watched it before hence didn't want to watch it again with me.Anyway....I can't remember how many times I've watched it but each time I do, it brings back the nostalgic feeling I had when I first watched it.As someone said already, they don't make movies like this anymore.....too bad.
J**X
Darn good blu ray
A good number of extras for one of Sean Connery’s best outings as BondTerrific blu ray!
M**E
OK I guess
They don't make movies like this anymore. The bad guy got the "drop" on the star character seven times and looses just about every fight. Wow!!!! I don't know if this is a good thing or bad thing. Every movie I have ever seen in the last 15 years has the star being perfect.
J**G
THE best James Bond film
Goldfinger in my honest opinion was the epitome of the entire James Bond franchise. Dr. No was important because it set out all the themes and tropes that would appear in all the subsequent movies. Goldfinger was when they all came together at their absolute best.The movie starts with a great spy scene where Bond blows up a facility, then gets with a woman, only to escape an assassination attempt. Connery is his usual cool and collected self, such as when the bombs go off and he just looks around like nothing happened.Then it gets to the heart of the story where Bond attempts to undermine Auric Goldfinger’s, played by Gert Frobe, Operation Grand Slam to corner the market on the world’s gold supply by attacking Fort Knox. The two run into each other in Miami when Bond finds Goldfinger cheating at cards and undermines him with the help of a beautiful young lady named Jill Masterson, played by Shirley Eaton. They of course hook up afterward, only for Bond to be knocked out and then he finds her dead, covered in gold paint. That’s one of the most iconic Bond scenes ever. Bond then chases Goldfinger around the world until they end up in Kentucky for the climax. That includes humiliating Goldfinger again at a game of golf and being captured by Goldfinger and having the classic exchange, “Do you expect me to talk?” “No Mr. Bond I expect you to die.” Finally, Connery runs into another classic Bond girl, Pussy Galore played by Honor Blackman who is part of Goldfinger’s scheme.For me, Connery is the pan ultimate Bond. He had the looks, the swagger, the sexism, and the feel for the character like none other. In this film he also gets plenty of gadgets to play with which set a standard for the following films. The most iconic is his Aston Martin car.The title song is another excellent tune by Shirley Bassey. It might be the best Bond theme ever.All together this is the best of the best. You get Sean Connery at his peak. You get the spy tools. You get a classic Bond villain and two of the best Bond girls. There’s action, there’s adventure, there’s sex. It’s a Bond movie!
S**H
Truly a BOND Classic! Unfortunately, it becomes sillier with every viewing.
GOLDFINGER burst onto the scene in 1964 and the Bond world would never be the same. Though the previous two entries had been well-received, this is the one that touched off the worldwide phenomenon that propelled the series well into our own generation (currently filming Bond movie #21!!) In fact, it would become the Bond movie that all other's would be compared to ("yeah, I liked the latest Bond movie alright, but it wasn't as good as GOLDFINGER!!)GOLDFINGER introduced us to so much of what would become trademarks of the series. It was the first to have an independent opening sequence (yes, FRWL had one, but it was more of a prelude than a stand-alone "mini-movie"). It was the first Bond film to have a title song sung during the opening credits (which would also become a fan-favorite Bond theme). It featured the first souped-up gadget car (hailed by many as still the best). It introduced us to the first "larger-than-life" henchman in the character of OddJob - a silent-but-deadly killer who would be the quintessential Bond henchman until Jaws came along. And, it featured the first main villain to truly stand on his own alongside of Bond. Gert Frobe left a memorable impression as the titular nemesis, and is also a fan-favorite to this day. Finale, it features the first of many double-entendre female characters - Pussy Galore(a very overrated Bond gal, by the way)Unfortunately, the movie also introduced us to that "other" element of the Bond series, and that is the "over-the-top" action spectacle. Sure, it is nowhere near as out-there as Bond in a submersible car, or Bond on the moon, but the genesis of all that followed in the "unbelievable" department begins here. And this is where my criticism of the film really comes in. Having just watched for the umpteenth time this weekend, I was really able to see the flaws of the film. For the first time, Bond is placed in an elaborate "machine-of-death," when a simple gunshot to the head would do. Yeah, it's a lasting image no doubt - that of Connery strapped to a table with a laser inching it's way toward his, ahem, mojo. And yes, it provides us with the first classic Bond line - "No Mr. Bond, I expect you to die!" - however, it is a really silly moment compared to the series up to that point, and begins to take us into the more fantastic and out of the more believable.Several other actions by Goldfinger leave one wondering how intelligent he really was. In the above mentioned scene, all Bond has to do is suggest he knows more than Goldfinger thinks he does about his fiendish plot, and Goldfinger gives in and allows him to live. Why didn't he simply ask Bond to prove it - tell him what else he knows? He could easily have exploited how little Bond knew. Later, GF pitches his plan to a room full of mafia bosses (in one of the goofiest scenes with GF opening all kinds of hidden maps and displays in the room and the gangsters responding with lines like, "What is this, some kinda merry-go-round?") When one of the hoods declines being involved, GF has him taken out and secretly shot. However, he ends up gassing all the other hoods in the VERY NEXT SCENE! WHY? Who knows!? If he was going to kill them all, why take the one guy out and kill him seperately? If he was going to kill them all, why even tell them his plan? Yes, unfortunately, the more elaborate the film gets, the sillier it gets as well.Which leads us to a bizarre finale. Having foiled GF's scheme, Bond is sent home on a US Jet, presumably millitary. This is at an airstrip surrounded by millitary - yet somehow, GF and Pussy have gotten aboard, incapcitated the pilots . . . ah, it's just too much!Well, I have alot of complaints, obviously, and it mainly because I see the film in its context as being the first to really bring Bond down. DR. NO and FROM RUSSIA WITH LOVE tried very hard to give Bond some street cred as a believable Secret Agent - GOLDFINGER and later films tore that image down and turned Bond into what he is today - another generic action hero. That being said, there is still plenty of charm in this film - and it is still a Bond classic, if only for its score, villain, and Connery's most relaxed and comfortable performance in the role. His first, "Bond, James Bond" in this film is said with such suave dismissal, that you realize for the first time that Connery IS INDEED Bond, James Bond.
J**H
007
An essential bond film to have in your collection
K**R
Magic.
I'm going to watch all the Bond films in order. This is number three. I really enjoyed 'Dr No' the first and also enjoyed 'From Russia with love' the second.This one was equally good. Where have I been? I've never seen them in entirety before. Always a snatch here and there on a bank holiday or over Xmas. Never got to see them all the way through.Anyway I'm putting that right now and so far great fun it is. OK it could be easy to be judgemental with these films. They are very tongue in cheek.But here we are with 'Goldfinger' the DB6 Aston Martin, Pussy galore and nasty lasers.Come on what more do we want? Love it. 'Thunderball' is in the post.
C**A
Classic Bond Flick
This is very possibly the best film in the Bond franchise. It's got Sean Connery as Bond, it's got a great story (very much the one Ian Fleming wrote), it's got a megalomaniac villain played by a German , a hugely enjoyable and suitably menacing henchman (Oddjob), and with the great Honor Blackman's Pussy Galore the first real kick-ass Bond girl. What's not to like?Definitely a must have for any Bond fan and even if you aren't a die hard fan a film well worth having in your collection. The 2 disc Ultimate Edition has a huge amount of bonus material. If that's your kind of thing, this is the version to go for.
M**Y
"...Revolving Number Plates...Valid All Countries Naturally..." - Goldfinger on BLU RAY
When the "Ultimate Edition" 2DVD sets of the Bond films were finally released in July 2006, most fans couldn't believe their luck or their eyes. It didn't seem to matter which of the 20 films you bought - due to the Pristine Lowry Digital Restoration Process (frame-by-frame clean up that apparently took two years to achieve), they were all jaw dropping - simply spectacular to look at. And each was bolstered up with spiffy new 007 menus and period special features that were informative and actually worth seeing.It should therefore come as no surprise that this 2009 BLU RAY reissue of 1964's "Goldfinger" (directed by Guy Hamilton) uses those same cleaned-up elements and extras - and is an awesome thing to behold.To put this into an actual context - here's some examples of how revelatory the print actually is - in the pre opening-credits sequence when 007 plants his detonation devices, Connery then peels out of what is supposed to be a wetsuit, but you can clearly see it's black/blue silk outfit to offset his immaculate white tuxedo beneath (then he buttonhole's his red carnation in incredible clarity). When he comes out onto the hotel balcony in Miami and lies down beside Gill Masterson on the sun-lounge (Shirley Eaton instructing Gert Frobe via binoculars as to what the other card player is holding), on the close up of 007's face, you can clearly see applied make-up on his cheeks - it's Bond in blusher!Or how about this... as Bond talks to Auric Goldfinger on the golf-course before they tee off, you can just about make out the dividing lines between the square turfs of grass they laid out to make the tee-off area look more lush. Then there's the deep black enamel of the AU 1 number plate on the Phantom 337 as its loaded into a transport plane bound for Geneva... Pussy Galore as Bond wakes up on the Lockheed en route to the USA - her golden blonde hair slowly coming into focus in dazzling sexy clarity... and on it goes...scene after scene of unbelievable detail - leaves in Mint Julep drinks - the two moles on the left side of Honor Blackman's face...yikes!All the elements came together on "Goldfinger" that would set up a template for decades to come - the eye-catching opening sequence, the sexy credits and the new Bond song, the gadgets, the fearsome unkillable bad guy, the leggy molls who may or may not have your best interests at heart, the cars and gadgets, Desmond Llewelyn as the exasperated Q and Bernard Lee as the permanently frowning M. Throw in the Aston Martin DB 5 with its fantastically handy ejector seat and Harold Sakata as the Korean assassin Oddjob and his chop-your-head-off bowler hat - and you're on a winner. And then of course the film's ultimate trump card - Sean Connery - sex on legs - a man with something permanently lodged down his trousers and we're not talking about starched Y-fronts. He'll kill you, smile afterwards and then flick the bits off of his immaculately groomed Saville Row suit...You also forget about the great one-liners - "shocking...positively shocking" as he fries the bad guy in the bath; "The President has expressed satisfaction...that makes two of us..." Bond says as he rolls off a babe and turns off the radio; "...Unfortunately he has a pressing engagement..." Goldfinger says as he dispatches Mr. Solo (one of the hoods) off to the car-crusher. It's all so bloody good - and it still makes you tingle.Luckily the extras have survived intact too - there's a commentary from members of the cast and crew, a revealing on-set interview with a suited-and-booted Connery, the "Declassified: M16 Vault" feature which is just so enjoyable. Although I love the outer card wrap, which gives it a classy feel and a uniform look when lined up against the other titles in the series (not all are available yet), it's a real shame that there's no commemorative booklet - it would be such a sweet touch.To sum up - when Sean Connery pulls the parachute silk over him and Honor Blackman at the end of the movie and announces "...this is no time to be saved!" - you can't help but feel that the dapper British agent has a point.Bond 3 on BLU RAY is surely up there with the very best restorations ever done - a triumph - and that the movie is still such a blast after 35 years of endless re-watches is a testament to its durability."Goldfinger" is in fact like Sophia Loren - it never ages and will always ooze sex - it's ample chest and tiny waistline will be making grown men go weak at the knees in a hundred years from now. And even if that bad guy's laser beam is getting a little too close to all of our privates these days - you can buy this Martini of a film, put on the tux, pull in the girdle - and cheer yourself up no end.Love it. Love it. Love it.PS: for other superb restorations on BLU RAY, see also my reviews for "The Italian Job", "Saturday Night, Sunday Morning", "The Loneliness Of The Long Distance Runner", "The Dambusters", "Quo Vadis", "North By Northwest", "Cool Hand Luke", "The Prisoner - The Complete (UK TV) Series In High Definition", "Braveheart", "Snatch", "The African Queen" and "Chitty Chitty Bang Bang"
M**M
You expect me to talk? No Mr Bond I expect you to die!
James Bond comes up against Auric Goldfinger, a mad man who plans to rob Fort Knox and his deadly henchman Oddjob who has a deadly bowler hat. The 3rd James Bond movie, this sees the franchise really start to become the franchise we all know and love. For the first time, the credits have a theme song rather than just the James Bond theme or an instrumental version of the theme song as seen in the first two movies, and the gadgets start to become more fantastic with an Austin Martin, the classic Bond car making an appearance. Goldfinger is a good villain but it is henchman Oddjob, a mute Korean that threatens to steal the movie and Honor Blackman is very good as the risqué sounding Pussy Galore, a name that did not go down well in certain parts of America at the time of release while Sean Connery gives his usual excellent performance as James Bond. The series is starting to hit its stride now, and getting more and more confident as it goes along. Felix Leiter from Doctor No returns though this time played by a different actor. The movie looks fantastic as has the series so far on bluray, again completely restored and cleaned up and if you are new to Bond or are trying the early movies for the first time, this is one of the absolutely essential movies to watch.
D**L
This Blu-Ray has the Midas touch
'Goldfinger' is one of my favourite movies and was the first DVD disc I ever played. I put off buying a Blu-ray player until 'Goldfinger' was available on that format. So, putting that disc into my brand new Panasonic DMP-BD35 player was a much anticipated event, fraught with the possibility of either fulfilment or of bitter disappointment.Fortunately, I was served up a large dollop of joy. The reviews of the Blu-ray releases of 'Dr. No' and 'From Russia with Love' were very positive and so it has proved to be the same for 'Goldfinger'However, I can't agree with reviews that say "Set in the '60s but looks as if it was filmed yesterday". It simply isn't going to look as sharp as 'Bourne Ultimatum' (for example) but the Technicolor palette has never looked quite so natural - e.g. the golf match between Goldfinger & Bond. Some scenes are really quite beautiful such as the Alpine, 'Golden Girl', and 'Fort Knox' interior scenes. However the High Def format shows up flaws in the matte and model work. The soundtrack is also greatly enhanced with the title sequence looking and sounding fantastic. Most of the extras have been available on previous DVD releases and have now been enhanced for the Blu-ray release.If you are an HD-loving, long-standing Bond fan and think 'Goldfinger' is THE essential Bond movie, just buy it.
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