The Designer's Dictionary of Type

For the next edition it would be great if:1. Typefaces were presented in sequence of historical development and not alphabetically2. The name of the typeface appeared in its typeface3. The sampling of the typeface was presented in the section about the typeface and not in the back section

I wanted to see more in the fixed-width fonts, especially as it relates to digital design: web, mobile, etc. But still a great book to have on your shelf.

This book is great. It contains an overview of lots of common fonts, including examples of how they have been used in the real world. I did wish there were more fonts represented, but that would probably come at the expense of going as in-depth on each font, so I think the book strikes a good balance.

Great work Sean Adams, your vision as a designer and design educator shows!

I really love this book as a young graphic designer it's something that really makes me more excited about my field!

Incredible book

Great purchase

Sean Adams has created a useful book to explain some of the practical reasons for using a particular typeface. Forty-eight faces, from serif to digital, are examined in six chapters and in two ways.First, he writes a very brief history of the face followed by two, three or four pages showing the face in use over a variety of mediums though most are printed examples. Secondly, at the end of each chapter, the faces are shown as complete caps and lower case alphabets (in twenty-one point I think) with the letters ARQGag enlarged so that the unique characteristics of each font can be indicated.These alphabet are four to a spread and are probably the most interesting pages in the book. Non-type folk would no doubt look at the sixteen sans serif faces and conclude they more or less look the same only to have keen typographers point out that a cap Q could, for example, have a horizontal tail (Avenir) a curved tail (EF Real Head) a hook tail (Franklin Gothic) a centred tail (News Gothic) or a forty-five degree tail (Futura).The forty-eight featured fonts are the author's choice and most designers would probably choose a few alternatives, I wouldn't have included Gill Sans preferring Folio and Century Old Style to Century Expanded. Oddly Helvetica Regular and Neue Haas Grotesk Regular are both included in the Sans Serif chapter and both faces really are virtually identical.The book is beautifully produced and a useful overview of basic types in everyday use. Design school students in particular would find it a good introduction to the subject.

Es ist ein sehr schönes Bilderbuch. Leider ist es kein Lernmittel für fortgeschrittene Studien. Einsteiger sollten hier gut aufgehoben sein. Die Beschreibung des Buches auf der Produktseite ist irreführend und spiegelt nicht den Inhalt wieder. Ich habe es zurückgeschickt.

Perfetto per il corso di grafica di mio figlio.

Unsatisfied with the quality of the book