36 LED Stage Lights

I wanted to try this new 90 watt light from YeeSite. I have some other YeeSite lights and have been happy with them, but this is a set of 90 watt lights. Each light has 60 LEDs and all change to whatever color you want (i.e. it isn't like some cheaper lights where 20 of the LEDs are blue, 20 are red, 20 are green, etc). These lights are bright! To demo, I turned them both on in my music room and just pointed them at the ceiling. These two lights easily light up my entire music room and can flood it with color. These will make some great stage lights. They are relatively small...I took a picture with my hand for sizing purposes. These lights do have a 6 channel DMX mode so you can integrate them with other stage lights and control them with DMX software or controllers. If you don't have DMX, you can use the included radio-frequency (RF) remote to change colors. The RF remove is nice compared to cheaper IR remotes because you don't need line of site (i.e. can be in another room). The light can also be controlled directly from the back panel so when you lose your remotes like I see to do, you aren't out of luck. The lights have some decent auto-patterns such as a gradual fade from one color to another. Overall, these are a great bargain! If you want to flood an area with color, get a couple of these and you will be happy!

These PAR LED wash lights are a great value and perform incredibly well. They’re lightweight yet powerful, with big, vibrant colors that really pop. I love that both lights can be controlled with the included remote—super convenient during setup or on the fly. Each fixture uses single-color diode LEDs for true color mixing, and the DMX input gives you flexibility if you want more advanced control. Sound activation, built-in lighting programs, and strobe mode are all easily accessible with the remote, which makes operation simple even without a DMX controller. Another huge plus is the detachable power cable. It makes packing and transporting easier. And having two matching wash lights means you can get an even look across both sides of your DJ booth or event space. Great product for the price and very versatile for any mobile DJ or event setup.

First thing I noticed when plugging these in and turning them on was how bright they are. But I should have expected it 90 W, with 60 leds, these can really light up an area. If you're looking for a budget par that is easy to control, and you don't want to have to be a lighting genius, this is a perfect light. And the fact that you get 2 for a remarkable price, you may want to grab a couple pair. Now, if you do use dmx, these work very well in the dmx universe. If you need uplighting for an event you'll be very happy with these. Maybe you need to light a stage or you want them for your church, they're perfect for any situation. I have a lot of other uplights, but these have something my others don't, a fan. It cools the 60LEDs, which is smart because the housing is plastic. So you do need to be careful storing these but I can't believe the price for this quality of a light.

I bought one of these YEESITE lights to test (with no DMX controller) and the results are impressive! It's from China, contains 36 1-watt LEDs, and is VERY bright (more of a 'spotlight' than a 'wash', though). All the various functions and buttons work well, as does the remote control (and you get two of them!) The plastic housing is sturdy, although the hanging brackets are made of thin easily-bent metal, as has been mentioned elsewhere. The internal fan is so quiet as to be almost silent! The instruction booklet is surprisingly detailed and clear. Even the box looks professional, not 'generic', and all the individual items are well-packed. YEESITE is obviously serious about selling a good product. (By the way: Don't forget to remove the little paper 'tab' from the remote control; it's there to keep the replaceable battery in 'new' condition until you use it. And you can stick the tab back in again, when the remote isn't being used.) Here are some details that are not mentioned in the booklet; but don't let my comments throw you off-- this is a really nice, feature-packed light, at a low cost. I plan to buy more... R-G-B 'static' color-mixing can only be done on the light itself (or via DMX), not with the remote control. The remote has 'basic' functions, with only seven pre-set colors, but they *can* be faded up or down. The remote's functions are... ON/OFF DMX on/off pure RED pure GREEN pure BLUE ROSE AMBER (which is not too accurate, in my opinion) CYAN WHITE STROBE (always full-brightness white, with adjustable speed) SOUND FADE (smooth transitions through the seven different colors; adjustable fade speed) JUMP (sharp transitions through the seven different colors; all fully on; adjustable speed) AUTO (which is like a 'demo' of *all* the presets) It seems that the remote accesses a slightly different set of programmed instructions compared to the light's-- the main one being an ON/OFF switch on the remote. Once turned OFF this way, the light's own rear buttons no longer function (and there's no dedicated ON/OFF switch or button on the light itself.) The light can be turned ON again only by using the remote, or by unplugging the light to reset it. There is a slightly noticible visual 'stepping' effect when dimming, more pronounced when using the remote (although I don't know if this happens when using a DMX controller.) It's more apparent at lower brightness levels. Fading of the individual RGB colors occurs over a number of discrete 'steps'-- how many depends on: using the remote: 32 brightness steps. using the buttons on the light: 255 steps (although RED seems to step through only about 100 individual increments, spread over the 255 'range'... perhaps to get a more visually-pleasing mix). The LED color-ON thresholds (using the light's own 0 -to-255 ranges) are: RED-- 10 (NOT 1-- due to manufacturing tolerances?) GREEN-- 1 BLUE-- 2 So if you choose to create a WHITE color (all RGB colors set to 255), then decide to fade that out to nothing, the RED-color LEDs cut out slightly before the GREEN and BLUE...but I don't think most people would notice this. Most of the visual change in brightness occurs at the 'lower end' of dimming; the upper end seems to show far less of a brightness change. Perhaps that's simply how our eyes react to it, but I think the individual RGB brightness 'steps' need to be programmed better. In any case, it's a minor quibble for me. There IS some obvious color-banding in the shadows from this light; but that's to be expected from ANY light that uses individual red, green and blue LEDS spread over a circle. That's because all the colors are not coming from a single 'point.' If this is a problem, a light with lots of smaller LEDS would be better...or, to eliminate the color-banding altogether, a light with TRI-color LEDs (each LED producing all colors.) But those lights are more expensive. ;-) The STROBE function is something I will probably not use-- but it has a minor quirky problem with the remote control. When the strobe 'speed' is set very fast, all of the buttons on the remote suddenly fail to work! (This doesn't happen below about 90% of the fastest speed.) My own opinion is that the *fast*-strobing light is interfering somehow with the remote's infrared control signal (or with the IR receiver on the light itself.) But if this happens, it's easily fixed with the light's own buttons, to slow down the strobe speed a bit; then the remote will function again. Saving the settings in memory (before unplugging the light): When using the REMOTE, the light remembers the last setting, and comes back on in whatever mode it was last set to. But when setting the parameters on the light itself, things are somewhat different: For all modes *except* the R-G-B static color-mix mode, the ENTER button saves that program mode-- and it comes back up when you plug the light back in. And, the light does remember the individual color settings in R-G-B color-mix mode-- but there's no way to actually 'save' those as a saved 'program'-- the ENTER button is used for something else in this case. So, when plugging the light back in, the mode that comes back up may or may not be the RGB mix, if that's what you were previously using. (Honestly, I haven't completely made sense of this yet.) I haven't worked with DMX commands, so I can't comment-- except to mention that the the light's DMX channel assignments are: Channel 1-- master dimming (for overall dimming?) Channel 2-- RED 0 to 255 Channel 3-- GREEN 0 to 255 Channel 4-- BLUE 0 to 255 Note: The DMX in/out ports have only three contacts, not the five that are required by the 'official' DMX standard. But it seems that *many* (most?) LED lights ignore the standard, as there's very little need for the extra two pins.

This stage light set is hands down one of the best lighting purchases I've made in a while. It lights up the room like a full-on glow party. The regular LED settings are bright and crisp, perfect for stage setups, home events, or just adding some atmosphere. But the real magic is the blacklight feature. The UV glow brings out every fluorescent color in the room, from posters to body paint to anything neon. It turns an ordinary space into a full visual experience. The coverage is impressive for how compact the unit is. It fills a wide area and makes colors pop instantly. I used it for a party and people couldn’t stop commenting on how cool the glow looked. Setup is quick, the controls are simple, and it runs consistently without flicker. It does get warm after long use, so give it a break between sessions. The housing is light, so handle with care, but it’s easy to mount or reposition. If you're looking to brighten the mood and make everything glow, this light does the job perfectly.

The lights are well-built, easy to set up, and conveniently controlled by a remote. Dimming and color presets (red, green, blue, rose, amber, cyan, white) work effectively, as do "Jump" (rapid color switch) and "Gradual" (smooth transition) modes. This versatile product offers significant value. A DMX setup is also an option. Pros: - Solidly built - Surprisingly bright - Easy to set up - Effective dimming function - Convenient remote control for quick adjustments - Versatile for multiple applications - Affordable Cons: - No power linking meaning you have to make sure you have access to power for each fixture - Slightly louder fan than others but not an issue

There really good Lights and there super bright had them on all the party

A good value for the price. Two of them are bright enough to illuminate a small stage. I bought these specifically because they came with remotes, because I didn't want to pack around a controller. However, I was disappointed to find that functionality is limited with the remotes. Most significant to me was that you can only choose primary colors and cannot create custom colors on the fly using just the remotes. That was disappointment #1. So I had to buy a DMX controller and cables for another $200. So much for being a bargain. Disappointment #2 came when I connected them the controller and found that their channel assignments are different from every other lighting fixture in the world. Instead of WRGB, they are RGBW. Consequently, on my controller, the fader labeled "Red" actually controls overall brightness. "Green" controls red, "Blue" controls green, and "White" controls blue. Confusing when you're on stage. The controller has built-in presets, but they of course don't work. The one labeled "Red" turns the lights blue, and 3 of them just turn the lights off. Luckily, it's a programmable controller so I just made my own presets. Another surprise,,, DMX fixtures don't usually require a terminator unless you have very long cable runs. But that was not my experience with these. Mine just went nuts with random colors and effects until I added a second fixture, configured as a slave (which also terminates the network). that was with a 50' cable, not particularly long for lighting. So yeah, a pretty good value for the price. But honestly, I would not buy them again. Next time I'll spend a little more for fixtures that conform to industry standards.