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Product Description ------------------- Contains the following episodes: * Episode 1: The glamorous world of the 19th century music hall provides the backdrop for Nan’s first love affair with Kitty Butler, a popular male impersonator. When Kitty is offered the chance to perform in London, a delighted Nan accompanies her as a dresser, but true success doesn’t happen until Nan becomes part of the act. * Episode 2: Alone and devastated by her betrayal, Nan cannot return to her family in Whitstable so takes to the streets to survive. In her guise as a male impersonator, she finds a niche in the Victorian sexual underworld and is also drawn into the web of a rich Sapphic, society widow who offers sex, excitement and luxury but at a perilous price. * Episode 3: Diana throws out Nan and Blake and Blake disappears with all of the money, leaving a totally destitute Nan. The only person she can think to turn to ends up unwelcoming to her. So begins a very different phase for Nan, which leads ultimately to her making the most important decision of her life. .co.uk Review ------------- Screenwriter Andrew Davies describes Tipping the Velvet, his adaptation of Sarah Waters's accled novel ( /exec/obidos/ASIN/1844080110/${0} ) of lesbian love, betrayal and redemption in Victorian England, as "Pride and Prejudice with dirty bits". This three-part BBC production chronicles with relish the story of Nan Astley (Rachael Stirling, the ravishing image of her mother, Diana Rigg), barely 18, and certain that life holds more for her than her oyster girl's existence. "You'll meet someone who'll have your head spinning and your legs turning to jelly", her sister promises. That someone surprisingly turns out to be "gay and bold" Kitty Butler (Keeley Hawes), a music-hall entertainer with whom Nan falls instantly, and swooningly, in love. Nan follows her to London, where, as a double act, they become the toast of London, until Kitty's "marriage of convenience" breaks up the act and Nan's heart. The outcast Nan, decked out in Victor/Victoria duds, becomes a streetwalker, and then "tart" to the aptly named Diana Leaty (Anna Chancellor). This affair, too, comes to "a bad end" as a destitute Nan is deposited back on the streets, where she insinuates herself into the lives of Florence (Jodhi May), a social worker, and her sot brother. Is Nan "too spoiled and stained for love"? Will she risk her blossoming relationship with Florence when Kitty inevitably returns to rekindle their affair? Nan's couplings, while tastefully done, do carry what Waters calls "a queer erotic charge". They are graphic by BBC standards. But the sterling writing and performances will captivate even the most sensitive viewers, making this groundbreaking mini-series, to quote one character, "a delightful evening... a rare treat". --Donald Liebenson