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๐ Elevate your cultural IQ with the book that predicted our hyperreal world!
Simulacra and Simulation is the first full English translation of Jean Baudrillardโs seminal 1981 work that redefines postmodern cultural theory through the concepts of simulacra and simulation. Highly rated and academically acclaimed, it offers essential insights into media, reality, and cultural production, influencing everything from philosophy to popular culture.

| Best Sellers Rank | 9,741 in Books ( See Top 100 in Books ) 2 in Academic Philosophy 79 in Cultural Studies |
| Customer Reviews | 4.6 out of 5 stars 1,367 Reviews |
M**N
Fantastic book. A different level of learning
Fantastic book. A different level of learning, you have to be really into it to get the most out of this book. I thoroughly enjoyed it and agree with the message.
R**R
Easy to see its influence on the Matrix
Very intriguing and easy to digest book, and in some ways I wonder if people will take this book up more as we explore deeper connections to technology. Given the book examines themes such as shared existence and "reality" it would be interesting to apply it to our current challenges where people are often building their beliefs and sharing them through social media. Overall though a good book and, my rambling aside, I have enjoyed it so far. Definitely don't regret my purchase!
S**N
Very intriguing
In using this for my dissertation in English Literature, it is a extremely dense book, which is surprising as it is shorter than expected. Nonetheless, once one can wrap their head around the concepts that Baudrillard is laying out, it yields for an extremely fulfilling and enticing read.
D**E
A revelation on every page (if you're willing to put the work in)
A dense work, sometimes impenetrable and fails to define its terms such that anyone without a background in Baudrillard's work would struggle to keep apace. These criticisms aside, this is a perspective-altering work of far reaching insight, I find myself taken aback by how prescient it is despite its age and how much it appears to presage a lot of current events. There is something of value on every single page, although some pages may require a little more work and interpretation than others. Don't be afraid to re-read sections, you won't regret it.
P**S
A copy without an original
I've been toying with buying this book for a while now: if only because it was featured in The Matrix. But I've recently got a job teaching media at a university and thought this might be some theory that would come in handy. Initial skimming suggests it's a challenging read. I'll let you know how I get on ;-)
P**E
just good stuff to know
Good to keep the brain cells from falling out ya nose.
A**S
Insightful and thought provoking
Had to write review for sheer volume of insights.
D**E
Interesting
Interesting
T**Y
More relevant than ever!
Take your time reading this book. Read it with a search engine open on your phone. Look up words and phrases with which you're not familiar. This is written at a collegiate level, and it is definitely worth understanding. The dangerous culture of social media will make sense, and it will make you fear what's happening to those who are glued to their phones. You may even realize that movies like Strange Days and The Matrix are disturbingly prescient.
V**R
il libro รจ arrivato.. grazie mille
very good..
Z**K
Good but difficult read.
Very difficult to understand unless you have sone background in related topic.
C**N
A challenging and life-altering read
This is essential reading for anyone interested in postmodern philosophy. Discussion of his proposal that our world has lost all referentials, and predominantly exists in the form of simulacra, or copies without a true original. Examples from Apocalypse Now, Crash, Disneyland, a French modern arm museum, the Holocaust, and the idea of nuclear deterrence, all in the service of the idea that the world has become...well, the Cracker Barrel, hyperreal versions of signs that have lost meaning. I'm sure I have butchered some terms here, which leads me to... ...the text alternates between the poetic and the utterly incomprehensible, in which there were pages where I won't even pretend to understand what Baudrillard was on about. But it sure seems important.
P**S
Sublime prose from one of history's greatest thinkers
Some favourite quotations: "It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operating double." (p.2) (on god) "This is precisely what was feared by Iconoclasts, who millennial quarrel is still with us today . This is precisely because they predicted this omnipotence of simulacra, the faculty simulacra have of effacing God from conscience of man , and the destructive annihilating truth that they allow to appear - that deep down God never existed, that only simulacrum ever existed, even God himself was never anything but his own simulacrum - from this came their urge to destroy the images." (p.4) "We are fascinated by Ramses as Renaissance Christians were by the American Indians, those (human?) beings who had never know the word of Christ. Thus at the beginning of colonization , there was a moment of stupor and bewilderment before the very possibility of escaping the universal law of the Gospel. There were two possible responses: either admit that this Law was not universal, or exterminate the Indians to efface the evidence. In general, one contented oneself with converting them , or even simply discovering them, which would suffice to slowly exterminate them." (p.10) "Parody renders submission and transgression equivalent, and that is the most serious crime, because it cancels out the difference upon which the law is based," (p.21) "History is our lost referential, that is to say our myth," (p.43) "Neofiguration is an invocation of resemblance, but at the same time the flagrant proof of the disappearance of objects in their very representation: hyperreal." (p.45) "Today, it is the real that has become the alibi of the model, in a world controlled by the principle of simulation. And paradoxically, it is the real that has become our true utopia - but a utopia that is no longer in the realm of the possible, that can only be dreampt of as one would dream of a lost object." (p.123)
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